Why Beat Pulp? by Helen C. Frederick; Paper in Public by Tatiana Ginsberg; Handmade Media: Thoughts on Object Descriptions for Paper Artists by Elizabeth Finch; Beater Finesse for the Artist by Catherine Nash (with samples); Papermaking Studio Access Guide by Mina Takahashi; Conservation Framing of Handmade Paper Artworks by Eyal Danieli; Risky Business: Can You Afford (Not) to Properly Store Your Paper Art Collection? by Claire Gerhard; Communities for Paper Artists by Jill Littlewood; ON Peter Gentenaar by Helen Hiebert. Reviews: Lee Krasner by Amanda Guest.